The Tree that Therefore I Am

Carlos Reygadas’ Post Tenebras Lux (2012) and Becoming-Plant as the Mastery of Non-Mastery

Authors

  • Joshua O. Reno Author

DOI:

https://doi.org/10.71743/f78zjs71

Keywords:

biosemiotics, becoming-animal, becoming-plant, non-mastery, multispecies ethnography

Abstract

Post Tenebras Lux is the critically-acclaimed, fourth film by Mexican filmmaker Carlos Reygadas: semi-autobiographical yet surreal; global yet Mexican; a simple drama about two married couples and an experimental study in interspecies desire and mimesis. The last is the focus of this paper. Like the documentary Leviathan, released the same year, Post Tenebras Lux can be regarded as a contribution to multispecies ethnography and ontological theorizing. In this paper, the film is interpreted as a meditation on distinctly vegetative semiosis and becomings-plant, as well as the possibilities and politics thereof.

Scene from Post Tenebras Lux (film)

Downloads

Published

2020-02-01

Issue

Vegetal Ontologies

Section

Articles

License

Copyright (c) 2020 Josha O. Reno (Author)

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

How to Cite

Reno, J. (2020). The Tree that Therefore I Am: Carlos Reygadas’ Post Tenebras Lux (2012) and Becoming-Plant as the Mastery of Non-Mastery. Semiotic Review, 6. https://doi.org/10.71743/f78zjs71